It looks like a mess
but it’s a system.

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My runway watercolors laid out,
swatches streaming in,
I try to eliminate but I want all of them.

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My exhaustive/ing textiles research is paying off;
I have options!
Should I use the wool gray jersey, the silk, the cotton, or the hemp?
This one feels softer, but costs 4x.
This one is pricier, but has a lower minimum.
Factors weighed.
If I purchase the required ten yards,
can I use that fabric for more than one garment?

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All of this is fun,
the decision-making, all of it.
This is what I was already doing for a hobby,
only now it feels more important, not just for me.
Is there anything more motivating?

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The most exciting part is
seeing an idea become a real thing,
a thing I can hold.
The idea becomes the painting
becomes the fabric
becomes a garment
becomes something a body will walk in.
Pleasure is making all these tiny decisions,
remembering there are no wrong answers,
just expression.
Who am I at this moment?

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every day is earth day

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At CUP & PENNY,

we save our scraps.

We don’t always have the space to store them,

but we just can’t bear to throw them away,

because at some point

they’re going to be something.

scrap ‘Boa’ scarf, in green and white
$58
CUP & PENNY shop

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The green-flowered calico in the photo

is from a project I made (stuffed baby and mama elephants) for my niece. 🙂

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marimekko on my mind

I’ve been thinking a lot about Scandinavian design.

It first got on my radar
at Oleana’s trunk show
hosted by Chalet in the Woods,
I started thinking about bright, vivid tone-on-tone folk prints.

The day after the trunk show,
walking past Pirkko, a Finnish design shop near Pike Place,
I was arrested by a big splash of blue-on-blue Marimekko yardage hanging in the window.
Tradition, freshened up.

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I love to imagine Nordic designers
reacting to the white and chill of their winter
with color that can never be too bright or bold
because it warms people.
“Color/life will return.”

Wearing sunshine.

Here’s a Marimekko video for your viewing pleasure.
I love the inside look at textile production!
(I’ve been a sucker for factory production videos ever since I was a kid and saw an episode of Sesame Street
where they showed crayons being made.
Anyone with me on this one?)

pan gongkai at the frye art museum

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I bought a little book about Pan Gongkai, featured artist at the Frye recently. His paintings are humongous–one covered an entire gallery wall. They’re black, white, and gray. They’re troubled. But there is peace, too.

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What I’m going to try is my own watercolor painting on fabric (Gongkai’s is on paper). But what about also digitally printing his paintings onto fabric? Gosh, that would look amazing on a big A-line skirt.

Of course, I’m not gonna print anybody’s stuff without permission, but a girl can dream…

Julia’s for brunch in wallingford

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guys! i used a twin needle!

 Working on the neck for my Nettie!

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I made quarter marks for the neck opening…

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…then used the same quarter marks I made on the bindings to line the binding up with the neckhole. Then I pinned the heck out of it, ‘cuz it’s curves!

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Here it is stitched and pressed…

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…and here it is 3-dimensional.

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 Doesn’t it look like a real t-shirt neckline? I’m so excited! I used a twin needle for the top-stitching. I’ve never used a twin needle before. (I feel so knowledgeable when I try something new!)

I’ll be washing the pink marks off later, don’t worry! I have two sewing markers, both of which look the same. One fades after a few minutes, one stays until you wash it. I prefer to use the fade-away marker, but I can never remember which one it is because the markers look so similar!

Hm…writing that out, I realized there’s a very simple solution to that problem: write “Fade-Away” on one of the markers with Sharpie. DUH!

This is why I love blogging, because as I write things out I realize I could, possibly, get out of my paradigm.